V/A / 200% DYNAMITE! SKA, SOUL, ROCKSTEADY, FUNK AND DUB IN JAMAICA (RSD23)

RED AND BLUE VINYL

Soul Jazz Records’ 200% Dynamite! set the benchmark for reggae meets funk compilations that has never been bettered. Out of print for over 15 years this new 2023 edition with new tracks and is being released in a one-off limited-edition heavyweight special-edition coloured vinyl pressing and download code exclusively for Record Store Day 2023.

THIS RECORD IS AN EXCLUSIVE RELEASE FOR RSD2023. IT WILL BE AVAILABLE IN OUR SHOP FROM APRIL 22TH

42,00

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Spedizioni

Spedizioni a Milano città, con pony a 3€
Spedizioni in Italia, in tutta Italia con corriere a 6€ o 7.50€, in base al peso
Spedizione gratuita, sopra i 120€ di acquisto, alla spedizione pensiamo noi!
Spedizioni internazionali, con corriere, in base al paese del destinatario e al peso dell’ordine.
Per maggiori informazioni visita la pagina dedicata.

Resi

Se realizzi acquisti sul sito hai diritto di recesso entro 14 giorni dal momento della consegna della merce.
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Jam-packed with reggae tunes that crossed-over to become dancefloor hits such as Tenor Saw’s sound boy anthem ‘Ring the Alarm,’ K.C. White’s classic cut of the seminal ‘No, No, No’ and Augustus Pablo’s ‘Rockers Rock’, 200% Dynamite explores the links between reggae, jazz, funk and soul. Carrying on perfectly from 100% Dynamite, this second compilation continues to trace the history of Jamaican reggae and the influence of American styles such as funk and jazz had on this music. Featured here are serious funk and rocksteady tunes from the likes of The Skatalites and Johnny Osbourne through to Jamaican jazz from masters such as Tommy McCook and Byron Lee, as well as some serious dub from the likes of Augustus Pablo, King Tubby and Jackie Mittoo. New bonus tracks on this new 2023 edition include seminal dancehall party cuts Sister Nancy’s ‘One Two’ and Chaka Demus and Pliers’ ‘Murder She Wrote’, alongside classic soul to reggae covers including cuts of Marlena Shaw’s ‘Women of the Ghetto’ and Odyssey’s ‘Don’t Tell Me Tell Her’.

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