The Universal Beings performance and preceding days of rehearsal took place at the iconic South Shore Cultural Center – a historic gilded-era urban club-turned-public facility deep on Chicago’s Southside and right along the reedy shore of Lake Michigan, giving the building’s backdrop an infinitely blue Northern expanse.
The night after the performance at South Shore Cultural Center, friend of International Anthem Jeremy Cunningham was scheduled to debut new music (“The Weather Up There,” which has since been released on Northern Spy Records) at our HQ, Co-Prosperity Sphere. Since Carlos & Miguel were still in Chicago (before they’d head to New York City for a second Universal Beings performance at Le Poisson Rouge), we invited them to do a Special Guest duo set to open the show.
At the conclusion of their 44-minute improvised set that night, Carlos spontaneously dubbed the piece “Chicago Waves.” His proclamation gave us the distinct impression that the previous days spent in South Shore (and the many commutes to-and-from, along Lake Shore Drive) had imprinted the deep blue vastness of early-Winter Lake Michigan into Carlos & Miguel’s respective & collective consciousness, and thus, into the spirit of the luminous music they created that night at Co-Prosperity Sphere. We at IARC are happy to share this recording of Chicago Waves with the world in a time when peace-bringing sound and a sweet memory of live music, sparkling inside the collective breath of community in communal space, has potential to provide the utmost nourishment.
…about Carlos Niño & Miguel Atwood-Ferguson…
Carlos Niño – a multidimensional and catalytic producer, arranger, percussionist and DJ – made early in-roads through independent music in 1995, founding Spaceways Radio, the longstanding program for LA’s KPFK station and, shortly thereafter, co-founding non-profit internet radio giant Dublab. Moreover, Niño has been front-and-center in the forging of post-hip hop, contemporary Spiritual Jazz and New Age lexicons in Los Angeles. From community activism at Leimert Park’s The World Stage to kindred allyship within Leaving Records’ all-genre manifestations, his ensemble, Carlos Niño & Friends, is a living collaborative force that has engaged a fountain of inspired players such as Sam Gendel, Jamael Dean, Dexter Story, Jamire Williams, Josh Johnson, Deantoni Parks, Madlib, Kamasi Washington, and of course, Miguel Atwood-Ferguson.
Atwood-Ferguson – an arranger, composer, music director, producer and multi-instrumentalist – rose as a classically trained session musician to what the New York Times would call “a leader of skilled ensembles, a celebrator of repertories and an organizer of legacies.” He has composed string arrangements for everyone from Dr. Dre to Anderson .Paak, Thundercat and Flying Lotus (among many, many others). Suite for Ma Dukes, a towering homage to the late J Dilla, saw Atwood-Ferguson re-interpreting the legendary producer’s work for orchestra while assembling a 60-piece ensemble performance that featured Bilal, Talib Kweli, Karriem Riggins and others. His highly anticipated debut LP, Les Jardins Mystiques, is slated for release in 2021 via Brainfeeder Records.
Though Niño and Atwood-Ferguson initially met some years before, the two lifelong Los Angelenos truly connected as artists and friends in 2005. It was in that year that Atwood-Ferguson joined Niño in the studio to record two different records – With Voices, the final album by Niño’s beatmaking duo Ammoncontact, and Living Room by The Life Force Trio, a group comprised of Niño, Dwight Trible and Dexter Story. That same year, Atwood-Ferguson also joined Niño’s ensemble, Build An Ark. The two became close.
“Miguel Atwood-Ferguson is among my dearest, closest friends and collaborators. He is family,” says Niño. “I enjoy every opportunity that we find / create, or invitation that we agree to accept, to communicate with each other psychically.” Atwood-Ferguson says: “Carlos has been one of my greatest friends and teachers ever since 2005. I am joyously eternally indebted to him and can’t wait to do as much with him as possible!”
Both prolific independent artists and consummate advocates of creative music in Los Angeles and beyond, Niño and Atwood-Ferguson reunited in 2007 to record their debut album for Alpha Pup, a stirring and plaintive duet entitled Fill the Heart-Shaped Cup. They would go on to play together often over the following decade but it’s not until 2020 that they release another recording as a duet. That recording is Chicago Waves.
Dischi
